Late Spring Yasujiro Ozu. Early Summer Yasujiro Ozu. You have no items in your shopping cart View Cart Check Out. Under the watch of the ruling powers, films were encouraged to promote a positive message.
A widower, he lives with his ten year old son Ryohei. After the class and school staff rush to the pier, Ozu reveals the outcome of the incident over a series of lengthily held shots, largely without dialogue. It begins with a look at the upturned boat, which then abruptly cuts to the students lined up on their knees in an interior location.
An Inn in Tokyo. A Story of Floating Weeds. A Mother Should Be Loved. Woman of Tokyo. Dragnet Girl. Passing Fancy. I Was Born, But Where Now Are the Dreams of Youth? Our first glimpse of Horikawa and his then young son even stresses the virtue of making do with nearly worn-out shoes. It would be wrong to overstate this, and there is certainly nothing to suggest that Ozu was a closet pacifist or that he covertly opposed the war effort.
The most immediately striking of the continuities is the casting of Ryu Chishu as Horikawa Shuhei. That reunion scene, incidentally, was the one most heavily cut by the postwar censors, which probably means that it did originally include references to the war.
There are two scenes in which father and son go fishing together, the first when Ryohei is a boy, the second when he is a young man. But the boyhood version of the scene shows first father and son casting their lines in unison and then the boy standing stock-still as his father casts again.
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